Movies·July 25, 2026·2 min read

'The Dink' Is Out on Apple TV+: Jake Johnson, Ben Stiller and a Comedy About How Vicious Pickleball Really Gets

Josh Greenbaum's comedy landed on Apple TV+ with no theatrical run, a stacked bench — Ed Harris, Mary Steenburgen, Patton Oswalt, Chloe Fineman, plus McEnroe and Roddick as themselves — and a premise that anyone who has been near a community court will recognize immediately.

By Joseph Cooper

Composite portrait of Ben Stiller, Jake Johnson, Mary Steenburgen, Ed Harris and Andy Roddick.
L-R: Ben Stiller, Jake Johnson, Mary Steenburgen, Ed Harris and Andy Roddick. Getty Images/Victoria Stevens/Getty

The Dink arrived on Apple TV+ on July 24 with no theatrical release, a cast far deeper than the premise suggests, and a subject that turns out to be genuinely rich comic material: the politics of a pickleball club.

Jake Johnson stars as Dusty Boyd, a veteran tennis player who has to abandon his instincts and learn pickleball to keep a community club from folding. Ben Stiller plays Dr. Stone, who in the trailer prescribes the sport to him — a joke that lands harder if you have watched a friend get into pickleball recently.

The bench is the draw

The supporting cast is the sort a streaming comedy does not usually assemble. Ed Harris plays Dusty's father, Chuck. Mary Steenburgen is Candace. Around them: Chloe Fineman, Patton Oswalt, Aaron Chen, Chris Parnell, Christine Taylor, Lynne Marie Stewart — and Martin Kove, which is an inspired piece of casting in a comedy about a sport rivalry, given where he made his name.

John McEnroe and Andy Roddick appear as themselves. Putting the most famously combustible player in tennis history into a film about people losing their tempers over a paddle sport is not subtle, and does not need to be.

Josh Greenbaum directs, from a screenplay by Sean Clements. Greenbaum made Barb and Star Go to Vista Del Mar and Strays, which tells you the register: broad, committed, willing to follow a silly idea further than expected.

Why pickleball is a real subject

The film is being received partly as a documentary of something true. Pickleball is the fastest-growing sport in the country, and its expansion has produced an unusual amount of genuine conflict — over court conversions, noise complaints, club hierarchies, and who gets to play when.

Community-court politics turn out to be a durable comic engine for the same reason homeowners' association comedies work: small stakes, absolute conviction, and people who see each other constantly. The Washington Post covered the film specifically through that lens, which is a fair sign the premise is doing more than trading on a trend.

The reception

Reviews have been mixed. The New York Times headlined its notice "A Volley and a Flub," which is roughly where the consensus has settled — a film with a strong cast and a sharp target that does not fully convert either.

That is a common shape for comedies built around a premise this specific. The setup does a lot of work on its own, and the difficulty is finding two hours of story inside a joke that is already funny in one sentence.

Whether it works is a matter for viewers. What is not in question is that someone finally made the pickleball movie, and put Ed Harris and John McEnroe in it.

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